
Jean Rouch
Gender: Male
Birthday: 1917-05-31 - 2004-02-18
Place of Birth: Paris, France
Also Known As: 장 루슈
Biography
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
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Known For
Samedi soir
1983Ciné-Portrait of Raymond Depardon
1961Chronicle of a Summer
1978Cinématon
1963The Lovely Month of May
1999Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
2025Outlaw
2013My Conversations on Film
1995Son of Gascogne
2010The Dreamed Films
1998Pierre Fatumbi Verger: Messenger Between Two Worlds
Ciné-mafia
2011Jean Epstein, Young Oceans of Cinema
1977Samba the Great
1962The Doll
Civilisation: L'homme et les images
Cinéma! Cinéma! The French New Wave
1998